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Mike Bloomfield And Al Kooper – The Live Adventures Of Mike Bloomfield And Al Kooper
Mike Bloomfield And Al Kooper – The Live Adventures Of Mike Bloomfield And Al Kooper   Mike Bloomfield And Al Kooper – The Live Adventures Of Mike Bloomfield And Al Kooper   Mike Bloomfield And Al Kooper – The Live Adventures Of Mike Bloomfield And Al Kooper   Mike Bloomfield And Al Kooper – The Live Adventures Of Mike Bloomfield And Al Kooper  

Mike Bloomfield And Al Kooper – The Live Adventures Of Mike Bloomfield And Al Kooper

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Cantitate

Artist: Mike Bloomfield And Al Kooper
Label: CBS
Format: Vinyl - LP, Album, Stereo
Country: UK
Year: 1968
Genres: Rock, Blues
Styles: Blues Rock, Electric Blues
Collection Media Condition: Near Mint (NM or M-)
Collection Sleeve Condition: Near Mint (NM or M-)

Notes: Recorded at Bill Graham's Fillmore Auditorium, San Francisco, September 26, 27, 28, 1968 Very similar to [r=1952255] but with a different printer and with Catalog No. appearing underneath the CBS logo on the back cover.

Tracklist:
A1 Opening Speech (1:30)
A2 The 59th Street Bridge Song (Feelin' Groovy) (5:38)
A3 I Wonder Who (6:04)
A4 Her Holy Modal Highness (9:08)
B1 The Weight (4:00)
B2 Mary Ann (5:19)
B3 Together 'Til The End Of Time (4:15)
B4 That's All Right (3:28)
B5 Green Onions (5:26)
C1 Opening Speech (1:28)
C2 Sonny Boy Williamson (6:04)
C3 No More Lonely Nights (12:27)
D1 Dear Mr. Fantasy (8:04)
D2 Don't Throw Your Love On Me So Strong (10:56)
D3 Finale - Refugee (2:04)

Video

Artist: Mike Bloomfield And Al Kooper

b. July 28, 1943, in Chicago, Illinois, USA
d. San Francisco, California, February 15, 1981, by drug overdose.
Respected for his fluid guitar playing, Bloomfield knew and played with many of Chicago's blues legends even before he achieved his own fame, and was one of the primary influences on the mid-to-late 1960s revival of classic Chicago and other styles of blues music. In 2003 he was ranked at number 22 on Rolling Stone's "100 Greatest Guitarists of All Time".
Unlike contemporaries such as Jimi Hendrix and Jeff Beck, Bloomfield rarely experimented with feedback and distortion, preferring a loud but clean, almost chiming sound with a healthy amount of reverb. Gibson has since released a Michael Bloomfield Les Paul—replicating his 1959 Standard—in recognition of his effect on the blues genre, on helping to influence the revived production of the guitar, and on many other guitarists.